Notes On A Postcard From The Other America

GURPS

INGSOC
PREMO Member
Notes On A Postcard From The Other America


They named their dog after Jean Genet, who was a sex criminal and left-wing radical. Charming. It turns out that Zambreno is heavily pregnant, which understandably makes traveling with a dog on one’s lap difficult. But it appears that she and her partner are motoring through Mordor:

I have never been so sick in my life of public bathrooms—of wiping down seats, of the cheap toilet paper that gets stuck in your pubic hair, of waddling my uncomfortable strange body through doors, the same fast-food chains, everything almost identical. What slightly disturbed me on this trip was the amused or adoring or concerned gaze I received from so many strangers—who saw me as a very pregnant and sweaty woman in a short cotton dress with her little black dog, who saw me as very much a woman, an impending mother, something both visible and totally unthreatening, not the usual suspicious looks we sometimes got as city people in small Midwestern towns. I didn’t like it.

I had to re-read that twice to make sure I understood. Ordinary people looked upon her with sympathy, not suspicion … and this pissed her off?! What kind of person responds to the kind glances of strangers like that?

[clip]

Read the whole thing. Or not. You’re not missing much if you don’t. I find it fascinating, and not in a point-and-mock way. What’s most interesting about it, at least to me, is not that a Brooklyn-based feminist writer believes these things about the country in which she lives, but that a magazine of some prestige finds worth printing the ranting of a woman so fragile that the sympathetic gaze of Middle Americans upsets her, and contributes to her “rage against provincial minds and Catholicism.” Kate Zambreno is not a marginal figure; she’s someone whose work is reviewed in major literary and cultural publications. Seriously, when you get past the hothouse-flower freakshow qualities of the boutique jeremiad, the more fascinating question is: Is this how the people in the American literary and academic establishment see the rest of us?

Or, to be more precise: Even if they don’t share Kate Zambreno’s extreme opinion, are they the kind of people who think that this construal of America as a Boschian hellscape filled with ogres who gorge themselves at The Golden Corral and then gape sweetly at pregnant strangers — do they think this is normal? That it has anything to do with the country as it is?

I think the answer is yes. Which explains the Fukishima-level meltdown they’ve had in the face of the Trump tsunami. I know regular readers think I’m virtue-signaling when I say repeatedly that I didn’t vote for Trump, but I only point that out because a lot of people come to this blog via social media links, and they don’t know where I stood during the campaign. So: I didn’t vote for Trump, but most of the people in my state did, and it was easy for me to understand why, even if I didn’t share their judgment. If you ask me, the best thing someone who wants to be a real writer can do is to get the hell out of Brooklyn and all these other culturally progressive bantustans that train your mind to think that unfashionable Ohioans at the rest stop who try to comfort a pregnant stranger in distress with a kind glance are the Enemy.

:whistle:
 
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GURPS

INGSOC
PREMO Member
In 2009 Kate Zambreno went to live in Akron, Ohio, the sort of place you only choose if the situation is desperate. She was there because her husband had been hired to ‘curate and organise a small collection of rare books at the university … the gift of a rubber industrialist’. Friends asked why they’d made this uninspiring move. ‘The economy, you know. I mumble. A great job. (I really want to say: I DON’T ####ING KNOW. But I don’t. I tell the mutual lie of our marriage.)’ Now exiled from cosmopolitan Chicago, having already been exiled there from New York, she writes in Heroines: ‘I am realising you become a wife, despite the mutual attempt at an egalitarian partnership, once you agree to move for him. You are placed into the feminine role – you play the pawn.’ The distressing fact of her wifedom is one of the central threads in Heroines: how will this young woman make sense of being a wife, and what sort of wife is she? And can she both be a wife and what she most longs to be – an artist, a writer, someone who speaks to the world and is heard?

It may seem like an old-fashioned problem (of course she can!), yet it’s a real one, and to investigate it Zambreno looks back at an old-fashioned world, to perhaps the origin of the possibility of wife-and (and-writer, and-genius): the early 20th century. She discusses Zelda Fitzgerald and ‘Vivien(ne)’ Eliot, as well as a number of other ‘women often marginalised in the modernist memory project’, whom she calls her ‘eternal reference point … an invisible community’. Heroines is narrated by a voice that is never identified as ‘Kate Zambreno’, yet has all the markers of being her (both she and the narrator run a blog called Frances Farmer Is My Sister; both are married to a man called John). The book is a composite creature: part memoir, part criticism, part fiction, part feminist tract or call to arms or self-help manual or biography or work of literary history. Perhaps the best clue to what she’s doing comes when the narrator considers ‘training to be a psychoanalyst, and I will become a feminist analyst to tortured, eccentric artists.’ This would be her diagnostic manual.

Heroines by Kate Zambreno
Semiotext(e), 309 pp, £12.95, November 2012, ISBN 978 1 58435 114 6

http://www.lrb.co.uk/v35/n11/sheila-heti/i-dive-under-the-covers
 

vraiblonde

Board Mommy
PREMO Member
Patron
Yeah, she needs to go stick her head in an oven. That woman is profoundly mentally ill.

It's always amazing to me that the Left celebrates these crazies who can't even do basic life.
 

glhs837

Power with Control
You know, I cant imagine devoting that much time to studying the folks around me. And then placing so much crap out of my head into theirs. How is life enjoyable when you live in such a stewpot of heartache?
 
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