Policing Sexual Desire

GURPS

INGSOC
PREMO Member
The New York Times now has a “gender editor” and “gender team,” created in the wake of the #MeToo movement to infuse feminist sensibility even further throughout the paper. The gender editor, Jessica Bennett, penned an op-ed last month that serves as a template for the hypocritical state of modern feminism. Bennett had unforced sex with a 30-year-old acquaintance when she was 19 because “saying ‘yes’ [was] easier than saying ‘no,’” as the op-ed’s title puts it. She allowed the encounter to proceed out of “some combination of fear (that I wasn’t as mature as he thought), shame (that I had let it get this far), and guilt (would I hurt his feelings?).” Naturally, Bennett attributes her passivity and embarrassment at that moment to “dangerously outdated gender norms.” It is the patriarchy, she claims, that makes “even seemingly straightforward ideas about sex—such as, you know, whether we want to engage in it or not—feel utterly complex.”

Actually, it is not the patriarchy that makes sexual decisions “utterly complex”; it is sex itself. Sex is the realm of the inarticulate and irrational, inherently fraught with “fear,” “shame,” and “guilt.” Sexual seduction is carried on through ambiguity and indirection; exposing that ambiguity to light, naming what may or may not be going on, is uncomfortable and risks denial and rejection. “Dangerously outdated gender norms” are not what make it difficult to say no to sexual advances; contemporary gender norms have confused these already fraught situations. Traditional mores set the default for premarital sex at “no,” at least for females. This default recognized the different sexual drives of males and females and the difficulties of bargaining with the male libido. The default “no” to premarital sex meant that a female did not have to negotiate the refusal with every opportuning male; it was simply assumed. She could, of course, cast aside the default assumption; that was her power and prerogative. But she did not have to provide reasons for shutting down a sexual advance.

Sexual liberation reversed those default settings. The default is now “yes” to premarital sex; it is a “no” that has to be extricated in media res. No cultural taboos remain around premarital sex; those represented a repressive version of female sexuality, declared the liberationists. Males and females are now assumed to pursue sexual conquest with equal zeal. A contributor to the website Total Sorority Move described an instance of drunken college coitus several years ago that she, like the Times’ Bennett, allowed to happen simply because stopping it would have involved providing reasons. “We have sex with guys, because sometimes it’s just easier to do it than to have the argument about not doing it,” observed Veronica Ruckh. Ruckh quotes other females who have been defeated by the “yes” default for sex: “To be honest, it would have been awkward to say no, so I just did it.” “Sometimes you have to have lunch with girls you don’t want to have lunch with, and sometimes you have to have sex with boys you don’t want to have sex with.”

Policing Sexual Desire
The #MeToo movement’s impossible premise
 

GURPS

INGSOC
PREMO Member
Treating the untamed male libido as a political problem calls forth a legal remedy. The sex bureaucracy is exploding on college campuses; college administrators are busily writing highly technical rules for sex, the very domain of the irrational. The unstated goal of those rules is to move the default for premarital sex back to “no” by requiring “affirmative consent.” But law is less effective than informal norms in regulating behavior, especially in a post-liberation environment that has stripped females of the protections of modesty and restraint. Traditional culture tried to civilize the male libido by celebrating the virtues of gentlemanliness and respect. Under a traditional concept of propriety, masturbating in front of a female acquaintance (as Louis C.K. was wont to do) would have been unthinkable, a violation of the lady’s modesty and the gentleman’s dignity. Now, however, with “ladies” and “gentlemen” banished from our social universe, and even from language, such behavior is apparently no longer unthinkable. Most men would not feel themselves harassed if a female acquaintance masturbated in front of them; they might even consider themselves lucky. That women recoil from this same behavior reveals a fundamental divide between male and female experiences of the body and sex.

Feminists’ tic of blaming males for every female behavior that contradicts their ideal of gender equality undercuts that very claim of equality. Naturally, Bennett trots out the feminist trope that it is the patriarchy that makes females want to “attract male desire.” Women are apparently the helpless dupes of the fashion and cosmetics industry, and have been brainwashed into spending hundreds of billions of dollars a year in order to be noticed by men. That brainwashing extends to highly paid movie stars as well. The Times’s gender team is producing an online series called “The New Red Carpet” to combat gender stereotyping and harassment in Hollywood. Before the Golden Globe Awards, team member Bonnie Wertheim informed readers that stars’ dresses during such awards ceremonies “are not a reflection of their own style or their professional achievements.” Rather, the “red carpet industrial complex” forces those gowns on otherwise self-effacing and reclusive actresses in order to reinforce the “widely held perception that women’s bodies are available for public consumption.” (The “red carpet industrial complex” exerted its dastardly power to the bitter end: though the female stars at the Golden Globes wore black outfits as a #MeToo protest, those outfits just happened to include bare shoulders, plunging necklines, slit skirts, and stiletto heels.)
 

MiddleGround

Well-Known Member
Treating the untamed male libido as a political problem calls forth a legal remedy. The sex bureaucracy is exploding on college campuses; college administrators are busily writing highly technical rules for sex, the very domain of the irrational. The unstated goal of those rules is to move the default for premarital sex back to “no” by requiring “affirmative consent.” But law is less effective than informal norms in regulating behavior, especially in a post-liberation environment that has stripped females of the protections of modesty and restraint. Traditional culture tried to civilize the male libido by celebrating the virtues of gentlemanliness and respect. Under a traditional concept of propriety, masturbating in front of a female acquaintance (as Louis C.K. was wont to do) would have been unthinkable, a violation of the lady’s modesty and the gentleman’s dignity. Now, however, with “ladies” and “gentlemen” banished from our social universe, and even from language, such behavior is apparently no longer unthinkable. Most men would not feel themselves harassed if a female acquaintance masturbated in front of them; they might even consider themselves lucky. That women recoil from this same behavior reveals a fundamental divide between male and female experiences of the body and sex.

Feminists’ tic of blaming males for every female behavior that contradicts their ideal of gender equality undercuts that very claim of equality. Naturally, Bennett trots out the feminist trope that it is the patriarchy that makes females want to “attract male desire.” Women are apparently the helpless dupes of the fashion and cosmetics industry, and have been brainwashed into spending hundreds of billions of dollars a year in order to be noticed by men. That brainwashing extends to highly paid movie stars as well. The Times’s gender team is producing an online series called “The New Red Carpet” to combat gender stereotyping and harassment in Hollywood. Before the Golden Globe Awards, team member Bonnie Wertheim informed readers that stars’ dresses during such awards ceremonies “are not a reflection of their own style or their professional achievements.” Rather, the “red carpet industrial complex” forces those gowns on otherwise self-effacing and reclusive actresses in order to reinforce the “widely held perception that women’s bodies are available for public consumption.” (The “red carpet industrial complex” exerted its dastardly power to the bitter end: though the female stars at the Golden Globes wore black outfits as a #MeToo protest, those outfits just happened to include bare shoulders, plunging necklines, slit skirts, and stiletto heels.)

Is this a quote from somewhere? Is it supposed to be credited with the link in the OP?
 
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