Rhode Island Theater Company Injects Racial Activism Into “A Christmas Carol”

GURPS

GURPS

INGSOC
PREMO Member
– Gets Upset At Bad Review

Trinity Repertory Theatre panned by Providence Journal: “beginning with an opening monologue — inviting people to remember Native American tribes that once populated the state, mentioning slave trade connections and urging support for people of color — there is a layer being added to Dickens’ message of humanity and kindness that feels forced”

Here are some quotes from Susan McDonald’s Providence Journal review:
Review: Trinity Rep’s ‘Christmas Carol’ adds progressive touches to ageless tale
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As good as it felt to be back in the seats at Trinity Repertory Company for the annual retelling of Charles Dickens’ “A Christmas Carol,” there was a hit-or-miss feel to the production, highlighting the risk of tinkering too much with a sure thing…
But, beginning with an opening monologue — inviting people to remember Native American tribes that once populated the state, mentioning slave trade connections and urging support for people of color — there is a layer being added to Dickens’ message of humanity and kindness that feels forced.

When the Ghost of Christmas Past escorts Scrooge to Mr. Fezziwig’s business, where he apprenticed as a young man, for example, Christmas Eve festivities are in full swing, colorful and fun. Wilson introduces lively dancing and a funky rendition of “My Favorite Things.”
What proves awkward, however, is an extended segment in which half the actors dance boisterously, stomping feet and banging brooms on the wooden stage, while the others mill about, watching. While wisely advocating diversity in the show, Wilson has created a moment that splits the cast along racial lines, with actors of color dancing and white actors looking on. It seems divisive instead of inclusive.
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