...when Michael belts Kay one. Throughout the whole movie, I'd like to smack her one, too.
Are you talking about the scene from GF2, when Kay tells Michael that she aborted their baby so he wouldn't have more sons to continue the Corelone Family?vraiblonde said:...when Michael belts Kay one. Throughout the whole movie, I'd like to smack her one, too.
vraiblonde said:...when Michael belts Kay one. Throughout the whole movie, I'd like to smack her one, too.
YesTonio said:Are you talking about the scene from GF2, when Kay tells Michael that she aborted their baby so he wouldn't have more sons to continue the Corelone Family?
You are not an AmericanK_Jo said:I've never seen The Godfather.
I am ashamed.vraiblonde said:You are not an American
Santino...dustin said:When what's his face gets ambushed at the tollway and shot to peices... that one was pretty good.
Good choices. The second scene is like the end of GF1, where the door closes on Kay to show that she's literally and figuratively shut out of part of Michael's life.donbarzini said:GF1: Michael and Enzo the Baker outside the hospital when Tattaglia's buttons show up and drive away when they reach inside their coats. And then Enzo can't light his cigarette 'cause he's shaking too bad.
GF2: When Kay is seeing the kids on the sly and she's standing at the kitchen door. Michael walks up, looks RIGHT THROUGH her and slowly closes the door.
GF3: Any scene that Sofia Coppola is NOT in. Damn Winona Ryder for bailing out on that part. Putting his daughter in that part was the single worst casting decision ever made in Hollywood!!!
This is a common theme in Puzo's books. The Mafia arose in Sicily as a reaction to a corrupt, oppressive government. And when the Sicilians emigrated to America, they assumed that the government here would be just as corrupt. The Mafiosi rationalized their crimes as necessary to protect their families and establish their descendants in American society. But as the books emphasize, this was a delusion, sort of like Karl Marx's claim that the dictatorship of the proletariat would "wither away." Michael eventually had to sacrifice his family for the sake of the Family.MICHAEL (reaching over, touching his father): What's the matter? What's bothering you? (then, after the Don doesn't answer) I'll handle it. I told you I can handle it, I'll handle it.
VITO (as he stands): I knew that Santino was going to have to go through all this. And Fredo -- well -- (then, after he sits besides Michael) -- Fredo was -- well -- But I never -- I never wanted this for you. I work my whole life, I don't apologize, to take care of my family. And I refused -- to be a fool -- dancing on the string, held by all those -- bigshots. I don't apologize -- that's my life -- but I thought that -- that when it was your time -- that -- that you would be the one to hold the strings. Senator - Corleone. Governor - Corleone, or something...
MICHAEL: Another pezzonovante...
VITO: Well -- this wasn't enough time, Michael. Wasn't enough time...
MICHAEL: We'll get there, Pop -- we'll get there...
Well, she wasn't as bad as Connie and Kay. The scene where Connie runs in to confront Michael about Carlo's killing makes me grind my teeth. No wonder Carlo slapped her around all the time.Tonio said:Sofia wasn't a good actress
vraiblonde said:I like it when Fredo gets whacked, too.
Well, she wasn't as bad as Connie and Kay. The scene where Connie runs in to confront Michael about Carlo's killing makes me grind my teeth. No wonder Carlo slapped her around all the time.
He was -- Peggy Sue Got Married. But for most of his career, Cage has tried to avoid anything that might seem nepotistic.donbarzini said:I'm surprised he didn't put Cage in at least one of them.
Bad acting must run in that family.Tonio said:But for most of his career, Cage has tried to avoid anything that might seem nepotistic.
Maybe that's why he became an action star. But he was hilarious in Raising Arizona.vraiblonde said:Bad acting must run in that family.
vraiblonde said:Bad acting must run in that family.