Governor DeSantis triggered the left again. The story appeared in the Tampa Bay Times, headlined, “
Florida arts and culture funding slashed from budget.” Late last week, using his line-item veto power, Governor DeSantis slashed about $32 million in arts and culture grants from Florida’s 2025 budget, and liberal brains popped off in a cascade of explosions that could be easily seen from space.
The Tampa Museum of Art’s executive director, Michael Tomor, expressed bafflement and dismay that the wellspring of taxpayer money was suddenly drying up. “It’s a huge disappointment and a quandary,” he complained. Director Tomor just can’t understand it. “We are all unclear as to why this happened,” he scowled.
Now what are they supposed to do?
The Tampa Bay Times’s reporter was just as confused as Director Tomor. They both
assume as a fact — like gravity or virtue signaling — that the government’s job is to scrape together working people’s tax money and then redistribute it to elite, art-collecting institutions whose directors make six-figure salaries.
I’m sure there are even some C&C readers who are thinking right now that the arts are super important, a critical investment in the future, a civilizationally defining necessity that,
of course, should be funded by the state.
But according to the Times, Governor DeSantis took a dimmer view, less like a high-minded, politically connected museum director, and more like an overworked bookkeeper running out of adding machine paper. Even though Florida is currently running a surplus, the state’s top executive decided the arts were an inappropriate use of state tax dollars, and
snip snip:
DeSantis’s decision
mystified the Times. Lost and wandering around somewhere in the early impressionists, the paper couldn’t conceive of
any principled objection to funding the arts with tax dollars.
It’s …
the arts!
But unsurprisingly, the outraged Times reporter never looked beyond her champagne glass or interviewed anyone who agreed with Governor DeSantis, or could explain his logic. And that is what passes for journalism these days.
It only took me about two minutes of digging. I pulled up the Tampa Museum of Art’s latest Form 990 disclosures on Guidestar, which the Times’ reporter could not find, probably because it involves numbers and not pictures.
According to the museum’s disclosures, in 2022 the Museum received $5.5 million in donations and grants. But, and this is the key issue right here, it lavished over half of that total, about $3 million dollars, on “salaries, compensation, and benefits.”
Not art.
$1.2 million of the museum’s 2022 revenues came from “government grants.”
Now, I am quite certain the Tampa Museum of Art is a fine institution, with a lovely art collection, and good luck to it. But I don’t see why taxpaying citizens — outside Tampa! — should be made involuntary patrons for invisible, highly-paid persons who never say ‘thank you’ but only complain when the money spigot turns off.
In other words, being as
charitable as I can, government grants for the arts are
mostly wealth transfers. Grants forcibly take money from people who could care less about art, but who are keeping the lights on and the toilets flushing, and doles their money out to elite liberals running non-taxed “non-profits.” Artsy liberals who often make artistically tasteless decisions.
There’s nothing wrong with museums. There’s just too much
bad art and too many grifters.
One imagines the millions of tax dollars “invested” in trendy liberal fads, like “
diversity art.” And don’t even get me started on so-called modern art, like the fifteen-foot square, blank canvas I saw spotlighted in New York’s MOMA one time. It was titled, “Nothingness.” (
I thought, “genius!” I clearly invested way too much effort on my 10th-grade final art project, dang it.)
People in the “art industry” often don’t
act like they love the arts. They act like everybody else, like art is a career choice, and all too often they act like the job is called ‘government cash grab.’ Incensed Director Tomor, for example, is no volunteer. The Museum’s 2022 Form 990 shows the good director earned a nifty $269,083 that year.
And that was his salary
two years ago. I bet it’s more now. I’m sure he’s worth every penny. Part of his job is probably to get hold of the same government grants we’ve been talking about. But Director Tomor should earn his living fair and square, like the rest of us. Not through tax gifts.
Governor DeSantis was right to nip out the art funding. Let people keep their money. If the people want more
Nothingness, they can pay for nothing by themselves.
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